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      <image:title>Past Performances</image:title>
      <image:caption>Megan Muckle</image:caption>
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      <image:title>Past Performances</image:title>
      <image:caption>Serenella Sol</image:caption>
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      <image:title>Past Performances - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61880beb83e39013a5de15d8/1650491286579-Z2Y505QTWPV2NU99SJUO/djdlogo.png</image:loc>
      <image:title>Past Performances - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Past Performances - Paul Chambers</image:title>
      <image:caption>Paul graduated from the Royal Winnipeg Ballet School and went to a 14-year performance career. He performed lead and principal roles with Toronto Dance Theatre, Canada’s Ballet Jörgen, Albert Ballet, Banff Festival Ballet, and the Cleveland San Jose Ballet. His featured roles included: The Prince and Snow Pas de Deux in The Nutcracker; George Balanchine’s Rubies, Allegro Brillante; Jean-Paul Comlin’s Requiem; Rudi van Dantzig’s Four Last Songs; Bengt Jörgen’s Copellia, Romeo and Juliet, as well as collaborative work at Toronto Dance Theatre.  He choreographed Salute to Vienna (2004) for Canada’s Ballet Jörgen, Sofia (2004) for George Brown College Dance, In White Room (Toronto, 2005), and Sofia (reworked, 2007) and for the 10th anniversary of 9/11 (2011) for Corps Bara Dance in Calgary.  Paul began teaching adult ballet in 2004 in Toronto at George Brown College, Canada’s Ballet Jörgen, and as a guest at the School of Toronto Dance Theatre. He continues teaching now in Calgary. His philosophy is that dance is a fundamental form of human communication through which everyone can express themselves. His classes emphasize ballet technique to encourage new and seasoned dancers to explore their passions and physicality safely.  Paul has served on expert panels for dance for the Alberta Foundation for the Arts in 2008, 2019, and 2021.</image:caption>
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      <image:title>Past Performances - Melanie Henderson Batycky</image:title>
      <image:caption>Melanie Henderson Batycky had a professional dance career that spanned over 17 years. She danced six seasons with The San Francisco Ballet as a member of the corps de ballet, Alonzo King’s Lines Ballet as a principal dancer, and The Alberta Ballet where she danced both soloist and principal roles. She also danced as a guest artist with Ballet BC and The San Jose Dance Theater.  Melanie has worked with choreographers such as Chistopher Wheeldon, David Bentley, William Forsyth, Alonzo King, Jorma Elo, and Jean Grand-Maitre amongst others. Her notable roles include, Titania, in Christopher Wheeldons, A Midsummer Night's dream. Leads in George Ballanchines Rubies, Allegro Brilliante, Divertimento number 15; Mikaela in Jean-Grande Maitres Carmen. She was featured in multiple contemporary ballet’s by Alonzo King, and in premieres by Jorma Elo; Blank Snow, Afternoon of a Faun. Her choreographic experience includes ballets for The Wright Studio and The Company Show.  Most recently, Melanie has taught yoga for dancers at The School of Alberta Ballet, as well as acted as an adjudicator for ballet exams at The School of Alberta Ballet, and Alive School of Dance. She is so happy for this opportunity to be creative and expressive through the beautiful dancers at Ballet Bodies YYC.</image:caption>
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      <image:title>Past Performances - Daniela Erewa</image:title>
      <image:caption>Daniela Erewa was born and raised in the beautiful city of Monterrey, Mexico. She participated in various national and international classical competitions, such as “Youth American Grand Prix,” obtaining prestigious awards and scholarships to international schools, such as Orlando Ballet School, Kirov School of Dance and Rock School of Dance. Daniela has training in all styles such as Ballet, Jazz, Contemporary and Musical Theater. Daniela moved to Vancouver in the spring of 2019 and was able to train with Coastal City Ballet and take classes at Harbour Dance Centre with renowned choreographers and instructors. She has danced and done the background in projects for Netflix, NBC and Disney, working with producer Kenny Ortega, Mandy Moore, and choreographers like Paul Becker, Jill Meyers and Louis Hardsky. She moved to Calgary in the summer of 2021 and continues her training, learning and creating as a dancer, teacher and choreographer in diverse studios around the city.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61880beb83e39013a5de15d8/1650071918606-74LA4ZDP8E4GO3EGNW95/Choreographers+.jpg</image:loc>
      <image:title>Past Performances - Beth Durnie</image:title>
      <image:caption>Beth is originally from Calgary, Alberta and is a graduate of the Arts Umbrella Dance Diploma Program in Vancouver, BC. While an active part of the Vancouver dance scene, Beth had the opportunity to work with various renowned artists and choreographers such as Crystal Pite, Emily Molnar, and Michael Schumacher, amongst others. Beth has also performed internationally with Ballet BC (Romeo + Juliet, Medhi Walerski) and Inverso Productions (Spooky Action, Lesley Telford). This past season Beth danced with Corps Bara Dance Theatre, where she had the opportunity to choreograph and collaborate on a series of dance films. Beth is currently a student of Kinesiology at the University of Calgary and is incredibly excited to return for a second season with Ballet Bodies YYC as a dancer and choreographer.</image:caption>
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      <image:title>Past Performances - Serenella Sol</image:title>
      <image:caption>Serenella Sol started dancing ballet at the age three with Gisela Paz de la Rosa Ballet School in Maracaibo, Venezuela. At seventeen, she moved to Canada, where she studied ballet and contemporary in Vancouver and Calgary. While attending university, Serenella took part in summer intensives at the Alicia Alonzo Institute (Spain), Alonzo King Lines Ballet (USA), The San Francisco Conservatory of Dance (USA), SIBA (Salzburg), The Dutch Summer Intensive (Holland) and Blueprint Summer intensive(USA). In 2013, she graduated from the University of Calgary with a B.A in Political Science and a Minor in Dance. She has danced for La Caravan Company (2011), Jeunesse Company (2012), and W&amp;M Physical Theatre (2013-2019) in The Cube, Triangular Theories of Love, Waiting Rooms in Heaven, TIME, and WE SELL.PL. Serenella presented her choreographic work in the Alberta Dance Festival (Dancers’ Studio West), Fluid Festival, Montage and produced and choreographed her own show Coming of Age in 2016 (SeSol Projects). Presently, Serenella is the Artistic Director of Ballet Bodies YYC.</image:caption>
    </image:image>
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    <lastmod>2026-03-02</lastmod>
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      <image:title>Show Program - Entropy</image:title>
      <image:caption>This piece is a celebration of the resilience of the human spirit using a classical vocabulary and humour to demonstrate the need for individual and societal connection. The music is two pieces composed by Canadian pianist Christian Girard of Montréal: Variations sur Misty Var 2 and Melisandé aux Jardins suspendus  - Ragtime.  Choreographer: Paul Chambers Dancers: Anne Copeland, Sabina Zhetpissova, Tara Blue, Chantelle Marlatt, Megan Muckle, Kathryn Lee, Hunter Loewen Music  Op. 09 - Variations sur Misty - Var. 2 - By Christian Girard Mélisande aux Jardins suspendus - Ragtime - by Christian Girard</image:caption>
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      <image:title>Show Program - The First Pärt</image:title>
      <image:caption>The First Part is inspired by the introspective and emotional music of Arvo Part, exploring the collective experience of life’s struggles. The piece strives to encapsulate life’s joys and triumphs from our reliance on each other to be uplifted and supported. It touches on the search for meaning in life and our connections to each other and the community. I hope that the ballet inspires each audience member to find their own meaning in the beauty of Arvo Part and be transported by the dancers' creativity and their individual expressions of the movement. Choreographer: Melanie Henderson Batycky Dancers: Amber Wiens, Evan Cooksley, Beth Durnie, Serenella Sol, Rebecca Tingle Music Fratres for Violin, Strings and Percussion- Interpreted by I Fiamminghi (The Orchestra of Flanders) and Rudolf Werthen- Composed by Arvo Pärt  Spiegel Im Spiegel - Interpreted by La Pietà, Angèle Dubeau &amp; Louise-Andrée Baril- Composed by Arvo Pärt</image:caption>
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      <image:title>Show Program - Ring, Ring… Hello? Love Speaking</image:title>
      <image:caption>Four stories, four perspectives and four different sides of love. This piece examines love through the lens of 4 different women and a telephone. When love calls you, you have to respond, although you never know what to expect from the other side of the line.   Choreographer: Daniela Erewa  Dancers: Sabina Zhetpissova, Tara Blue, Amber Wiens, Sasha Wilde  Music Moonlight Serenade- 2005 Remastered Version by Glenn Miller I Wanna Be Loved By You - By Marilyn Monroe Perhaps, Perhaps, Perhaps by Doris Day Don’t Call me, I’ll Call You by Lesley Gore Come Rain Or Come Shine by Judy Garland  Is that all there is? by Peggy Lee, Robert Norberg</image:caption>
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      <image:title>Show Program - Disso n Dance</image:title>
      <image:caption>Definition of dissonance: 1a: lack of agreement the dissonance between the truth and what people want to believe. especially: inconsistency between the beliefs one holds or between one's actions and one's beliefs 1b: an instance of such inconsistency or disagreement Choreographer: Serenella Sol Video Design: Callum McComarck Dancers: Anne Copeland, Sabina Zhetpissova, Emily Izett, Rebecca Tingle Music Prière, Op. 12  - Artist: Alexandra Oehler - Composer: Teresa Carreno Reverie-Impromptu, Op. 3  - Artist: Alexandra Oehler - Composer: Teresa Carreno Mi Teresita (Little Waltz) - Artist: Gabriela Montero - Composer: Teresa Carreño</image:caption>
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      <image:title>Show Program - A Performer’s Paradox</image:title>
      <image:caption>When putting on a show for others, you are also putting on a show for yourself. This piece explores the ever-changing understanding and manifestations of how a performer shares their passion with others. Amid a world perpetuated with disparity, joy and exhilaration must find their place to remind us of life’s potential.   Choreographer: Beth Durnie   Dancers: Chantelle Marlatt, Megan Muckle, Serenella Sol, Camille Mori  Music Elenore by The Turtles You Don’t Owe Me by Lesley Gore Get Together by The Youngbloods</image:caption>
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      <image:title>Show Program - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61880beb83e39013a5de15d8/1650490915541-B5P70TMF173AE8DPA6CM/Bluebird+Logo+with+words.png</image:loc>
      <image:title>Show Program - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://balletbodiesyyc.com/choreographers</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2025-08-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61880beb83e39013a5de15d8/1650070983612-3EZX6ZTH4L6WHUFUEG8S/1.jpg</image:loc>
      <image:title>2022 Choreographers - Paul Chambers</image:title>
      <image:caption>Paul graduated from the Royal Winnipeg Ballet School and went to a 14-year performance career. He performed lead and principal roles with Toronto Dance Theatre, Canada’s Ballet Jörgen, Albert Ballet, Banff Festival Ballet, and the Cleveland San Jose Ballet. His featured roles included: The Prince and Snow Pas de Deux in The Nutcracker; George Balanchine’s Rubies, Allegro Brillante; Jean-Paul Comlin’s Requiem; Rudi van Dantzig’s Four Last Songs; Bengt Jörgen’s Copellia, Romeo and Juliet, as well as collaborative work at Toronto Dance Theatre.  He choreographed Salute to Vienna (2004) for Canada’s Ballet Jörgen, Sofia (2004) for George Brown College Dance, In White Room (Toronto, 2005), and Sofia (reworked, 2007) and for the 10th anniversary of 9/11 (2011) for Corps Bara Dance in Calgary.  Paul began teaching adult ballet in 2004 in Toronto at George Brown College, Canada’s Ballet Jörgen, and as a guest at the School of Toronto Dance Theatre. He continues teaching now in Calgary. His philosophy is that dance is a fundamental form of human communication through which everyone can express themselves. His classes emphasize ballet technique to encourage new and seasoned dancers to explore their passions and physicality safely.  Paul has served on expert panels for dance for the Alberta Foundation for the Arts in 2008, 2019, and 2021.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61880beb83e39013a5de15d8/1650071147054-F7XUOF61M2OIAWFHK5DF/3.jpg</image:loc>
      <image:title>2022 Choreographers - Melanie Henderson Batycky</image:title>
      <image:caption>Melanie Henderson Batycky had a professional dance career that spanned over 17 years. She danced six seasons with The San Francisco Ballet as a member of the corps de ballet, Alonzo King’s Lines Ballet as a principal dancer, and The Alberta Ballet where she danced both soloist and principal roles. She also danced as a guest artist with Ballet BC and The San Jose Dance Theater.  Melanie has worked with choreographers such as Chistopher Wheeldon, David Bentley, William Forsyth, Alonzo King, Jorma Elo, and Jean Grand-Maitre amongst others. Her notable roles include, Titania, in Christopher Wheeldons, A Midsummer Night's dream. Leads in George Ballanchines Rubies, Allegro Brilliante, Divertimento number 15; Mikaela in Jean-Grande Maitres Carmen. She was featured in multiple contemporary ballet’s by Alonzo King, and in premieres by Jorma Elo; Blank Snow, Afternoon of a Faun. Her choreographic experience includes ballets for The Wright Studio and The Company Show.  Most recently, Melanie has taught yoga for dancers at The School of Alberta Ballet, as well as acted as an adjudicator for ballet exams at The School of Alberta Ballet, and Alive School of Dance. She is so happy for this opportunity to be creative and expressive through the beautiful dancers at Ballet Bodies YYC.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61880beb83e39013a5de15d8/1650071227816-ZO8JQH60BAQ9GE9SCG1N/2.jpg</image:loc>
      <image:title>2022 Choreographers - Daniela Erewa</image:title>
      <image:caption>Daniela Erewa was born and raised in the beautiful city of Monterrey, Mexico. She participated in various national and international classical competitions, such as “Youth American Grand Prix,” obtaining prestigious awards and scholarships to international schools, such as Orlando Ballet School, Kirov School of Dance and Rock School of Dance. Daniela has training in all styles such as Ballet, Jazz, Contemporary and Musical Theater. Daniela moved to Vancouver in the spring of 2019 and was able to train with Coastal City Ballet and take classes at Harbour Dance Centre with renowned choreographers and instructors. She has danced and done the background in projects for Netflix, NBC and Disney, working with producer Kenny Ortega, Mandy Moore, and choreographers like Paul Becker, Jill Meyers and Louis Hardsky. She moved to Calgary in the summer of 2021 and continues her training, learning and creating as a dancer, teacher and choreographer in diverse studios around the city.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61880beb83e39013a5de15d8/1650071918606-74LA4ZDP8E4GO3EGNW95/Choreographers+.jpg</image:loc>
      <image:title>2022 Choreographers - Beth Durnie</image:title>
      <image:caption>Beth is originally from Calgary, Alberta and is a graduate of the Arts Umbrella Dance Diploma Program in Vancouver, BC. While an active part of the Vancouver dance scene, Beth had the opportunity to work with various renowned artists and choreographers such as Crystal Pite, Emily Molnar, and Michael Schumacher, amongst others. Beth has also performed internationally with Ballet BC (Romeo + Juliet, Medhi Walerski) and Inverso Productions (Spooky Action, Lesley Telford). This past season Beth danced with Corps Bara Dance Theatre, where she had the opportunity to choreograph and collaborate on a series of dance films. Beth is currently a student of Kinesiology at the University of Calgary and is incredibly excited to return for a second season with Ballet Bodies YYC as a dancer and choreographer.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61880beb83e39013a5de15d8/1650071395710-LAIY9GZFYK1ECUVVWOTH/5.jpg</image:loc>
      <image:title>2022 Choreographers - Serenella Sol</image:title>
      <image:caption>Serenella Sol started dancing ballet at the age three with Gisela Paz de la Rosa Ballet School in Maracaibo, Venezuela. At seventeen, she moved to Canada, where she studied ballet and contemporary in Vancouver and Calgary. While attending university, Serenella took part in summer intensives at the Alicia Alonzo Institute (Spain), Alonzo King Lines Ballet (USA), The San Francisco Conservatory of Dance (USA), SIBA (Salzburg), The Dutch Summer Intensive (Holland) and Blueprint Summer intensive(USA). In 2013, she graduated from the University of Calgary with a B.A in Political Science and a Minor in Dance. She has danced for La Caravan Company (2011), Jeunesse Company (2012), and W&amp;M Physical Theatre (2013-2019) in The Cube, Triangular Theories of Love, Waiting Rooms in Heaven, TIME, and WE SELL.PL. Serenella presented her choreographic work in the Alberta Dance Festival (Dancers’ Studio West), Fluid Festival, Montage and produced and choreographed her own show Coming of Age in 2016 (SeSol Projects). Presently, Serenella is the Artistic Director of Ballet Bodies YYC.</image:caption>
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